J4 / Thu Van Tran
For the MéPIC she is presenting an experiment that joins work on the image with work on the landscape. Showing us not a finished image but rather the process by which it is created, she reflects on memory and the recording of reality. Refuse from natural sites such as the sea, beaches and the port of Caen are made to co-exist with residue from her studio (sawdust, scraps of paper, unsuccessful moulds), where the work took shape.
Together, these elements are placed on light-sensitive paper in plexiglas frames and will alter throughout the course of the exhibition, in particular under the constant natural light. The work, entitled Rejets, ,thus reveals forms that are not intended to be seen through a process of recording their imprint.